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" "Existence, for all organismic life, is a constant struggle to feed—a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh.
Ernest Becker (27 September 1924 – 6 March 1974) was an American cultural anthropologist and interdisciplinary thinker, noted for his 1974 Pulitzer Prize-winning book, The Denial of Death.
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What I have tried to do in this brief introduction is to suggest that the problem of heroics is the central one of human life, that it goes deeper into human nature than anything else because it is based on organismic narcissism and on the child’s need for self-esteem as the condition for his life. Society itself is a codified hero system, which means that society everywhere is a living myth of the significance of human life, a defiant creation of meaning. Every society thus is a “religion” whether it thinks so or not: Soviet “religion” and Maoist “religion” are as truly religious as are scientific and consumer “religion,” no matter how much they may try to disguise themselves by omitting religious and spiritual ideas from their lives.
Nature has arranged that it is impossible for man to feel “right” in any straightforward way. Here we have to introduce a paradox that seems to go right to the heart of organismic life and that is especially sharpened in man. The paradox takes the form of two motives or urges that seem to be part of creature consciousness and that point in two opposite directions. On the one hand the creature is impelled by a powerful desire to identify with the cosmic process, to merge himself with the rest of nature. On the other hand he wants to be unique, to stand out as something different and apart. The first motive— to merge and lose oneself in something larger—comes from man’s horror of isolation, of being thrust back upon his own feeble energies alone; he feels tremblingly small and impotent in the face of transcendent nature. If he gives in to his natural feeling of cosmic dependence, the desire to be part of something bigger, it puts him at peace and at oneness, gives him a sense of self-expansion in a larger beyond, and so heightens his being, giving him truly a feeling of transcendent value. This is the Christian motive of Agape—the natural melding of created life in the “Creation-in-love” which transcends it. As Rank put it, man yearns for a “feeling of kinship with the All.” He wants to be “delivered from his isolation” and become “part of a greater and higher whole.” The person reaches out naturally for a self beyond his own self in order to know who he is at all, in order to feel that he belongs in the universe. Long before Camus penned the words of the epigraph to this chapter, Rank said: “For only by living in close union with a god-ideal that has been erected outside one’s own ego is one able to live at all.”