Okay, you know, is it weird to get so depressed watching a children’s Christmas special — Oh, wait, I shouldn’t say that. I mean, that’s not a good w… - David Foster Wallace

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Okay, you know, is it weird to get so depressed watching a children’s Christmas special — Oh, wait, I shouldn’t say that. I mean, that’s not a good word. It’s not just “sadness,” the way one feels sad at a film or a funeral. It’s more of a plummeting quality. Or the way, you know, the way that light gets in winter just before dusk, or the way she is with me.
All right, at the height of lovemaking, you know, the very height, when she’s starting to climax, and she’s really responding to you now, you know, her eyes widening in that way that’s both, you know, surprise and recognition, which not a woman alive could fake or feign if you really look intently at her, really see her. And I don’t know, this moment has this piercing sadness to it, of the loss of her in her eyes. And as her eyes, you know, widen to their widest point and as she begins to climax and arch her back, they close. You know, shut, the eyes do. And I can tell that she’s closed her eyes to shut me out. You know, I become like an intruder. And behind those closed lids, you know, her eyes are now rolled all the way around and staring intently inward into some void where l, who sent them, can’t follow.

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About David Foster Wallace

David Foster Wallace (21 February 1962 – 12 September 2008) was an American novelist, essayist, and short story writer. His works include The Broom of the System (novel), Infinite Jest (novel), The Girl With Curious Hair (short story collection), Brief Interviews with Hideous Men (short story collection), A Supposedly Fun Thing I'll Never Do Again (essay collection), and the posthumously-published The Pale King (novel) and Both Flesh and Not (essay collection).

Biography information from Wikiquote

Also Known As

Alternative Names: David Wallace
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Additional quotes by David Foster Wallace

What if the preacher or father’s saying ‘Someone here’s lost and hopeless’ was tantamount to those Sun-Times horoscopes that are specially designed to be so universally obvious that they always give their horoscope readers that special eerie feeling of particularity and insight, exploiting the psychological fact that most people are narcissistic and prone to the illusion that they and their problems are uniquely special and that if they’re feeling a certain way then surely they’re the only person who is feeling like that.

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What the really great artists do is they're entirely themselves. They're entirely themselves, they've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.

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