Because he used to sing all the time and something was to be done with this. Vasyl was already 12, and I told parents that if the boy did not study s… - Vasyl Slipak

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Because he used to sing all the time and something was to be done with this. Vasyl was already 12, and I told parents that if the boy did not study seriously, he would waste his talent. Dudaryk was a very high standard at the time. Although the brother was formally too ‘old’ to qualify, he adapted quickly and easily became part of the team. Yes. Then he became a soloist, sang in concerts, particularly, with such celebrities as Dmytro Hnatiuk, Nina Matviienko, and other stars. Choir director Mykola Katsal was doing his utmost for each of the children. The choir provided not only a musical, but also a general education, and the children received true development. Vasyl became well known still at Dudaryk after singing solo in Carl Orff’s Carmina Burana. Then was Pierrot’s Deathly Loops by Oleksandr Kozarenko. The composer had written something futuristic and could not finish his opus. But he heard Vasyl’s voice when the latter was rehearsing in the Lviv Conservatoire’s classroom. Oleksandr came in and understood that he was composing for this very singer. The premiere was staged first in Lviv and then at festivals in Kyiv and Odesa. Thereafter, no major national festivals in Ukraine were held without Vasyl.(2017)

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About Vasyl Slipak

Vasyl Yaroslavovych Slipak (December 20, 1974 – June 29, 2016) was a Ukrainian baritone opera singer. From 1994 he frequently performed in France at such venues as Paris Opera and Opéra de la Bastille.For his opera performance, Slipak received several awards, including "Best Male Performance" for the Toreador Song.

Also Known As

Native Name: Василь Слiпак
Alternative Names: Wassyl Slipak Vasyl Yaroslavovych Slipak
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Many people were wondering what a brilliant opera singer was doing in the war in Donbas. It was his personal example of self-devotion to his country. Forty-odd years old Vasyl Slipak was known throughout Europe as an opera singer, he played leading roles in many perfomances, could have had tremendous future, however when the war broke out at homeland, he could not but step in ... The role of Mephistopheles in the opera «Faust» of Charles Gounod was Vasyl Slipak’s favourite, that’s why his nickname Myth was in tune with it. Vasyl Slipak’s life may have been short, but as full of heroism as mythology. He showed the audience a rare and exceptional singing art. His vocal talent was called a wonder of nature, and many teachers wished to have Vasyl in their class. When journalists found out that there was an opera singer at the front line, the news about him started spreading far and wide. Vasyl Slipak did not turn down interviews. He tried to explain to people his position, to support those who lost faith, and to draw in some help for the fighters.(2017)

But that all changed in 2014, when Russia invaded the Ukraine. Slipak left the opera and joined as a volunteer with the free Ukrainian forces, fighting in the eastern Ukraine, carrying a belt-fed machine gun and adopting the nom de guerre "Meph" based on his highly praised renditions of the aria "Mephistopheles" from the opera "Faust." He adopted a traditional Ukrainian hairstyle, similar to a Mohawk, and served at various positions along the front lines in a maze of Russian minefields and trenches. Along the way, he became a folk hero to the Ukrainian people. It can truly be said that while the Soviet Union collapsed in 1991, and Ukraine became a separate country, its real independence dates from Maidan Square, and Wassyl Slipak is a national hero for giving up an incredible career and the luxury of celebrity and fame to help make that possible.

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I would like to say that many French people from various walks of life hardly knew anything about Ukraine before the events on Maidan. Thanks to Vasyl Slipak, an opera singer, they became interested in your country, they watched televised reports. There also was an extensive publication about him in France’s most popular daily Le Monde, which awoke a wide response. It was some seven or eight years ago. We were acquainted by my friend, an interesting composer Yevhen Halperin (his father comes from Kyiv), a friend of Vasyl. They lived in the same house in Paris, but on different floors. At a party at Halperin’s place he said, ‘This guy has a unique voice, just listen.’ I was impressed by Vasyl’s talent and offered him to take part in our concerts. We performed Requiems by Verdi and Mozart back then, later we had some 10 to 15 programs together. We had successful opera gala evenings, and we were planning to perform Beethoven’s Symphony No. 9, but it wasn’t to be. (2017)

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