in all Berlin not a cubic inch of oxygen was admitted in winter into an inhabited building; - Henry Brooks Adams

Granted a Church, Saint Thomas's Church was the most expressive that man has made, and the great gothic Cathedrals were its most complete expression. Perhaps the best proof of it is their apparent instability. Of all the elaborate symbolism which has been suggested for the gothic Cathedral, the most vital and most perfect may be that the slender nervure, the springing motion of the broken arch, the leap downwards of the flying buttress,— the visible effort to throw off a visible strain,— never let us forget that Faith alone supports it, and that, if Faith fails, Heaven is lost. The equilibrium is visibly delicate beyond the line of safety; danger lurks in every stone. The peril of the heavy tower, of the restless vault, of the vagrant buttress; the uncertainty of logic, the inequalities of the syllogism, the irregularities of the mental mirror,— all these haunting nightmares of the Church are expressed as strongly by the gothic Cathedral as though it had been the cry of human suffering, and as no emotion had ever been expressed before or is likely to find expression again. The delight of its aspirations is flung up to the sky. The pathos of its self-distrust and anguish of doubt, is buried in the earth as its last secret. You can read out of it whatever else pleases your youth and confidence; to me, this is all.

The difficulty is no concern of ours, but the great scholars who took upon themselves to explain it made it worse, until at last one gathers only that Saint Thomas held one of three views: either the soul of humanity was individualized by God, or it individualized itself, or it was divided by ratio of quantity, that is, by matter.

He too had played with anarchy; though not with socialism, which, to young men who nourished artistic emotions under the dome of the Pantheon, seemed hopelessly bourgeois, and lowest middle-class.