here was Dorothy, always knotted to the point of strangulation, aspiring to be what she was not, because of that parvenu prince. Mrs Hunter saw him: … - Patrick White

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here was Dorothy, always knotted to the point of strangulation, aspiring to be what she was not, because of that parvenu prince. Mrs Hunter saw him: the groove in the lower lip, above the cleft chin, beneath the pink-shaded restaurant lights. She had ordered tournedos Lulu Watier. After the first shock of mutual disapproval, she felt that she and Hubert were enjoying each other. Alfred said, ‘Out with us, the food is plainer. We don’t feel the need to titillate our palates by dolling it up with a lot of seasoning and fancy sauces.’ He might have worsened the situation if she hadn’t kicked him under the table. They had gone over for the wedding because the old princess insisted she could not travel out to ce pays si lointain et inconnu. It was the first occasion the mountain hadn’t come to Elizabeth Hunter: she couldn’t very well believe it; nor that she would overlook the fact that her little Dorothy was being received into the Roman Catholic Church. But you did: at the nuptial mass there was your plain little girl in the dress by Lanvin tissé expres à la main à Lyon, and none of it could disguise the fact that you were prostituting your daughter to a prince, however desirably suave and hung with decorations. For one instant, out of the chanting and the incense, Elizabeth Hunter experienced a kind of spiritual gooseflesh.

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About Patrick White

Patrick Victor Martindale White (28 May 1912 – 30 September 1990) was an Australian novelist and winner of the 1973 Nobel Prize for Literature.

Biography information from Wikiquote

Also Known As

Birth Name: Patrick Victor Martindale White
Alternative Names: Alex Xenophon Demirjian Gray

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Additional quotes by Patrick White

The knot of her hands and the pulses in her throat rejected any possibility that their meeting might be a casual one. But, of course, she could not explain, nor was her face of any more assistance than her tongue; in fact, as she herself knew, in moments of stress she could resemble a congested turkey.

"Where have you been, Theodora?," Mrs Goodman asked.
"Walking, Mother."
"And whom did you see?"
Mrs Goodman flung her grammar like a stone.
"I did not see a cat," said Theodora.
Mrs Goodman looked at her daughter, who giggled before she left the room.

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I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.

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