Hodie scripta nemo remuneret. - Gerald of Wales

Librum quoque mendosum, et vel falso scriptum, vel falsum etiam in se continentem inspiciens, statim, licet illiteratus omnino fuisset, ad locum mendacii digitum ponebat. Interrogatus autem, qualiter hoc nosset, dicebat daemonem ad locum eundem digitum suum primo porrigere…Contigit aliquando, spiritibus immundis nimis eidem insultantibus, ut Evangelium Johannis ejus in gremio poneretur: qui statim tanquam aves evolantes, omnes penitus evanuerunt. Quo sublato postmodum, et Historia Britonum a galfrido Arthuro tractata, experiendi causa, loco ejusdem subrogata, non solum corpori ipsius toti, sed etiam libro superposito, longe solito crebrius et taediosius insederunt.

It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.

Giraldus mingles in the crowd, catches its accents, is borne along by its changing passions, and thus becomes a very mirror of that fighting, chaffering, praying age.