The modern world is still suffering from the native incapacity of the Jews to be political. The art of making and preserving a City, which we call be… - Aldous Huxley
" "The modern world is still suffering from the native incapacity of the Jews to be political. The art of making and preserving a City, which we call be the Greek name, “Politics,” was never an indigenous growth among the Hebrews. The City of the Greeks and the other civilized nations of antiquity was hateful to them. Their ideas were essentially anti-political. The politics of Judaea, when there were any, were borrowed from the Egyptians and Babylonians and, later, from the Greeks. These borrowings were regarded with violent disapproval by the champions of Hebrew orthodoxy, who objected to organized civilization on two grounds. Some, like Amos, hated it just because it was civilization and not nomadic barbarism. It was in the desert that God had made his covenant with the Chosen Race, and in the desert there was nothing else to think about but God. So, Back to the Desert! was their war-cry. Others, the Ebionites, objected to civilization because it was hierarchical, because it made for social inequality. They gave prophetically indignant utterance to the envious hatred of the poor in cash and in spirit against the rich and talented and cultured. A pious and universal mediocrity was their ideal.
About Aldous Huxley
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was a British author known for his novel Brave New World. He was the grandson of Thomas Henry Huxley and younger brother of Julian Huxley.
Biography information from Wikiquote
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Additional quotes by Aldous Huxley
I often think it would be best not to attempt the solution of the problem of life. Living is hard enough without complicating the process by thinking about it. The wisest thing, perhaps, is to take for granted the "wearisome condition of humanity, born under one law, to another bound," and to leave the matter at that, without an attempt to reconcile the incompatibles.
In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery. It is difficult to believe that general artistic culture can flourish in this atmosphere of passivity.
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