Cubism demonstrated in its constructions its modernity in relation to scale, but in painting and contre-relief we have in front of us an absolute sca… - El Lissitzky

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Cubism demonstrated in its constructions its modernity in relation to scale, but in painting and contre-relief we have in front of us an absolute scale which is this - forms in their natural size in the ratio 1 : 1. If however we wish to transform the contre-relief into an architectural structure and therefore enlarge it by one hundred times, then the scale ceases to be absolute and becomes relative in the ratio of 1 : 100. Then we get the American statue of liberty in whose head there is room for four men and from whose hand the light streams out.

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About El Lissitzky

Lazar Markovich Lissitzky [Лазарь Маркович Лисицкий] (November 23, 1890 – December 30, 1941), more famous as El Lissitzky [Эль Лисицкий], was a Russian artist, designer, photographer, teacher, typographer, and architect. He was an active protagonist of Russian Constructivism.

Also Known As

Native Name: Ла́зарь Ма́ркович Лиси́цкий
Alternative Names: El' Lisickij Ėlʹ Lisit︠s︡kiĭ El Lissickij Eliezer Markovich Lissitzky Lasar Lissitzky Eliezer Lissitsky Lazar Markovich Lissitzky Lazar Markovich Lisitskii El Lazar Lissitzky Lazarʹ Markovich Lisit︠s︡kiĭ Lazar Markovich Lisi︡tskiĭ Lazar Markovich Lisitsky Eliezer Lissitzky Eliʻezer Lisitsḳi El Lissitsky Lazar Lissitzky E. M. Lissitsky El Lisitsḳi Eleazar Markovich Lissitzky El Lisitsky Eleazar M. Lissitzky Lasar Markowitsch Lissitzky Eliezer Lisitski Eliezer Lisitsky Lazarʼ Markovič Lisickij E. Lisitsḳi Lazar Markovich Lisitski Lazar Markovich Lisitzky Lasar Morduchovich Lissitsky Lissitzky
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Additional quotes by El Lissitzky

It has become obvious to the new architect that by virtue of his work he is taking an active part in the building of a new world. For us the work of an artist has no value 'as such'; it does not represent an end in itself; it has no intrinsic beauty. The value of a work of art is determined by its relationship to the community.. .The artist, or the creative worker, invents nothing; there is no such thing as divine inspiration. Thus we understand by the term 'reconstruction' the conquest of the unresolved, of the 'mysterious,' and the chaotic. In our [Russian] architecture, as in our entire life, we are striving to create a social order, i.e., to raise the instinctive to a conscious level.

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