It is through improvisation and adaptation to unanticipated obstacles that we make our biggest breakthroughs. - Bjarke Ingels

In Amsterdam we... opened the Slicehouse. ...We put a floating solar farm in the water... There's a public promenade where people can overlook... Amsterdam. It's... completely framed by . ...[W]e lift up the courtyard so you can sail into the city block. The local kids can swim. You can dock a boat. It becomes... a... fusion between the public realm, the port, and the private. The facade is made out of maritime aluminum... so the facade continues into the water. ...[T]o let in sunlight some of the apartments become houses with gardens, and you can walk... up to the public promenade... [T]he building... becomes an extension of the city landscape of Amsterdam. It's... piled on energy piles extracting heat and cold from the port... to heat and cool the building.

Today we spend 153,000 terawatt-hours per year. ...1/3 ...from electricity, transportation and agriculture ...85% of our energy comes from non-renewable... but of the 15% of renewable 2/3 of it is... burning wood...

[A] last smaller building before we escalate is a cultural institution which just opened in ... bringing three different cultural institutions together in a new building: a library, a media tech, a performance space, and a contemporary art center. The art gallery's on the top to... access skylights, and connected by a shared lobby on the waterfront of the ... and... the library and the theater creating the two pillars. The art museum [is] the bridge to enclose a big public [outdoor] room. The... building finished in prefabricated concrete. You can... see that the French invented steel because they are so incredibly good at it. Also the sand in the south of France is so insanely beautiful. That's why in is maybe the only truly beautiful of the unités that Le Corbusier did, because of the quality of the sand. ...[T]he three institutions enclosing this giant outdoor urban room, where the... institutions, but also the city itself can invade. On the inside it's... 150,000 sq ft building with a $40 million dollar budget... so we had this... positive side-effect that all the finishes inside are... insanely raw. It's... concrete in different shades. ...The most important part of the building is what's not there. ...Even the furniture is cast out of concrete, some of it tiled. ...The ballerinas can look out at the square and vice versa. ...The theater ...this mosaic of tarred wood, hot-rolled steel and black concrete to create the perfect... acoustic mix, and finally this... art barn at the top and a sculptural park... [I]n this very... simple building... the main gesture... providing this... new shaded and covered outdoor space for the cultural life of the city.