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" "Flesh is our indisputable commonality. Whatever our race, our religion, our politics we are faced every morning with the fact of our bodies. Their frailties, their demands, their desires. And yet the erotic appetites that spring from - and are expressed through - those bodies, are so often a source of bitter dissension and division. Acts that offer a glimpse of transcendence to one group are condemned by another. We are pressured from every side - by peers, by church, by state - to accept the consensual definition of taboo; though so often what excites our imaginations most is the violation of taboo.
Clive Barker (born 5 October 1952) is an English playwright, author, film director, and visual artist. His novels include The Great and Secret Show, Weaveworld, and Imajica. His films include Hellraiser, Nightbreed, and Lord of Illusions.
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Shadwell?" said Suzanna.
"Their beloved Prophet," came the reply. "Beneath that show of holiness I lent him there beats a salesman's heart."
So Shadwell was the Prophet. What a perfect irony, that the seller of encyclopedias should end up peddling hope.
"It was his idea," said the Incantatrix, "to give them a Messiah. Now they've got a righteous crusade, as Hobart calls it. They're going to claim their promised land. And destroy it in the process."
"They won't fall for this."
"They already have, sister. Holy wars are easier to start than rumors among your Kind or mine. They believe every sacred word he tells them, as though their lives depended upon it. Which in a sense they do. They've been conspired against and cheated—and they're ready to tear the Fugue apart to get their hands on those responsible. Isn't that perfect? The Fugue'll die at the very hands of those who've come to save it."
"And that's what Shadwell wants?"
"He's a man: he wants adoration."She gazed over Suzanna's shoulder toward the unweaving, and the Salesman, still in its midst. "And that's what he's got. So he's happy.
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