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" "… what the photographer has to be urged, persuaded and argued with, to do, are often matters which the artist never needs to think about, because it would be unnatural to him not to act in unconscious obedience thereto.
(1863 – 25 February 1908) was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s.
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If we are to select our subjects or arrange our groups with a pictorial motive we must absolutely and entirely sacrifice every other consideration, and be prepared to cut out of our composition the prettiest and most interesting item, if by so doing composition pure and simple is improved. And if some subject you are attached to will not admit of composition or will not admit of your treating it pictorially, then photograph it if you wish, but never suppose that it will form a picture.
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