Yet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure contin… - Yukio Mishima

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Yet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure continuance; it is certain never to be repeated; like the existence of dayflies and other such short-lived creatures, beauty is a perfect abstraction and creation of life itself. Nothing is so similar to life as music.

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About Yukio Mishima

Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.

Biography information from Wikiquote

Also Known As

Pen Names: 榊山保 三島由紀夫
Native Name: 三島 由紀夫 平岡 公威
Alternative Names: Mishima Yukio Kimitake Hiraoka Hiraoka Kimitake
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Additional quotes by Yukio Mishima

Life strove mightily to exile orthodoxy, hospitalize heresy, and trap humanity into stupidity. It was an accumulation of used bandages soiled with layers of blood and pus. Life was the daily changing of the bandages of the heart that made the incurably sick, young and old alike, cry out in pain.

I received an impassioned letter from Sonoko. There was no doubt that she was truly in love. I felt jealous. Mine was the unbearable jealousy a cultured pearl must feel toward a genuine one. Or can there be such a thing in this world as a man who is jealous of the woman who loves him, precisely because of her love?

Honda... knew that to retain Kiyoaki's affection he must check the unthinking roughness that friendship ordinarily permitted. He had to treat him as warily as one would a freshly painted wall, on which the slightest careless touch would leave an indelible fingerprint. Should the circumstances demand it, he would have to go so far as to pretend not to notice Kiyoaki's mortal agony. Especially if such assumed obtuseness served to point up the elegance that would surely characterize Kiyoaki's ultimate suffering. At such moments, Honda could even love Kiyoaki for the look of mute appeal in his eyes. Their beautiful gaze seemed to hold a plea: leave things as they are, as gloriously undefined as the line of the seashore.

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