The world as a sense, independent of the image, of the idea - this is the essence of the content of art. [My] square is not an image, just as a switc… - Kazimir Malevich
" "The world as a sense, independent of the image, of the idea - this is the essence of the content of art. [My] square is not an image, just as a switch or socket are not the current. - Malevich
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About Kazimir Malevich
Kazimir Severinovich Malevich (23 February 1879 – 15 May 1935) was a painter, art theoretician, pioneer of geometric abstract art, and one of the most important members of the Russian avant-garde. He was also the founder of the art movement Suprematism.
Also Known As
Alternative Names:
Казимир Северинович Малевич
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Малевиць «Азимир Севериновиц»
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Казимир Малевич
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Т. Малевича
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Казимир Малевіт
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Казимир Шеверінович Малевич
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Казімеж Малевич
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Малевич
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Kazymyr Severynovych Malevych
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Malevich
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Kazymyr Malevych
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Kazimierz Malewicz
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Kazimir Severinovich Malevich
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Additional quotes by Kazimir Malevich
Only when the habit of one's consciousness to see in paintings bits of nature, Madonna's and shameless nudes.. ..has disappeared, shall we see a pure painting composition. I have transformed myself into the nullity of forms and pulled myself out of the circle of things, out of the circle-horizon in which the artist and forms of nature are locked.
Everywhere there is craft and technique, everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of it awkwardness it obstructs that inner element.. .All craft, technique, and artistry, like anything beautiful, results in futility and vulgarity. [critical quote on Constructivism artists]
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The representation of an object, in itself (the objectivity as the aim of the representation), is something that has nothing to do with art, although the use of representation in a work of art does not rule out the possibility of its being of a high artistic order. For the Suprematist, therefore, the proper means is the one that provides the fullest expression of pure feeling and ignores the habitually accepted object. The object in itself is meaningless to him; and the ideas of the conscious mind are worthless. Feeling is the decisive factor.. ..and thus art arrives at non-objective representation – at Suprematism.
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