I am thinking of painting for the coming Salon a picture [probably the large and unfinished painting 'Botzaris' by Delacroix] whose subject I shall t… - Eugène Delacroix

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I am thinking of painting for the coming Salon a picture [probably the large and unfinished painting 'Botzaris' by Delacroix] whose subject I shall take from the recent wars between the Turks and the Greeks. I think that.. .. this would be a way to attract some attention. I should therefore like you to send me some drawings of the country round Naples, a few quick sketches of seascapes or picturesque mountain sites... Why not also send a few of the studies you have in your portfolio? You don’t need them while you are out there, and it would oblige you to make some more of them.

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About Eugène Delacroix

Eugène Delacroix (April 26 1798 – August 13 1863) was a French painter, one of the leading artists of Romanticism in Europe of the nineteenth century.

Biography information from Wikiquote

Also Known As

Alternative Names: Ferdinand Victor Eugène Delacroix Ferdinand-Victor-Eugène Delacroix Ferdinand-Victor-Eugene Delacroix Eugene Delacroix Ferdinand-Eugène-Victor Delacroix Ferdinand Victor Eugene Delacroix Ferdinand-Eugene-Victor Delacroix Delacroix
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Additional quotes by Eugène Delacroix

I must try to live austerely, as Plato did.. .I need to live a more solitary life.. .Valuable ideas beyond number miscarry because I have no continuity in my thoughts.. ..The things which we experience for ourselves when we are on our own are stronger by far, and fresher... [his painting 'The Massacre at Chios' was half done when he wrote this note].

One has to see a painter in his own place to get an idea of his worth. I went back there [to Corot's studio, after the official exhibition] and I appreciate in a new light the paintings that I had seen in the Museum and that had struck me as middling.. .He told me to go a bit ahead of myself, abandoning myself to whatever might come; this is how he works most of the time.. .Corot delves deeply into a subject; ideas come to him and he adds while working; it's the right approach.

In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?

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