I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear - Roger Ebert

The charm of a Kevin Smith movie is that it assumes you do not enter the theater as a blank slate. "Chasing Amy" assumes a little knowledge of the world of serious comic books and collectors; "Dogma" required you to know something about Catholic theology, and "Jay and Silent Bob" has moments like the one where the Affleck character defines the Internet for Jay: "It's a place used the world over where people can come together to bitch about movies and share pornography together." This is a much more sophisticated idea of the Net than we find in high-tech cyberthrillers, where the Net is a place that makes your computer beep a lot. Whether you will like "Jay and Silent Bob" depends on who you are. Most movies are made for everybody. Kevin Smith's movies are either made specifically for you, or specifically not made for you. If you read this review without a smile or a nod of recognition, I would recommend "Rush Hour 2," which is for everybody or nobody, you tell me.

Because we are human, because we are bound by gravity and the limitations of our bodies, because we live in a world where the news is often bad and the prospects disturbing, there is a need for another world somewhere, a world where Fred Astaire and Ginger Rogers live.

It is not too soon for "United 93," because it is not a film that knows any time has passed since 9/11. The entire story, every detail, is told in the present tense. We know what they know when they know it, and nothing else. Nothing about Al Qaeda, nothing about Osama bin Laden, nothing about Afghanistan or Iraq, only events as they unfold. This is a masterful and heartbreaking film, and it does honor to the memory of the victims.