As I'm sure you know, network television has been undergoing seismic changes. Audiences have so many more choices than ever before, which I believe i… - Chuck Lorre

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As I'm sure you know, network television has been undergoing seismic changes. Audiences have so many more choices than ever before, which I believe it's a good thing. The only difficulty is it's hard to measure what constitutes success. In the past, if you enjoyed tonight's premiere episode of Georgie & Mandy's First Marriage, I'd asked you to spread the word. Get some word of mouth going. That's no longer necessary. Now all I need is an algorithm, or bot, or some sort of silicon-based magical genie to secure the future of the show. Hey, Siri! Mm-hmm?

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About Chuck Lorre

Chuck Lorre (also known as Chuck Levine, born 18 October 1952) is an American television writer, producer and director of series including Cybill (1995–1998), Dharma and Greg (1997–2002), Two and a Half Men (2003–2015), The Big Bang Theory (2007–2019), Mike & Molly (2010–2016), Mom (2013–2021), Disjointed (2017–2018), Young Sheldon (2017–2024), The Kominsky Method (2018–2021), Bob Hearts Abishola (2019–2024), B Positive (2020–2022), United States of Al (2021–2022), Bookie (2023–2025), and Georgie & Mandy's First Marriage (2024–present).

Also Known As

Birth Name: Charles Michael Levine
Alternative Names: Charles Michael Lorre
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Additional quotes by Chuck Lorre

Back in the days of network television, a vanity card in the end credits was a means by which writer-producers could express their creative dominion over the just-viewed show. It was dubbed a vanity card because vanity was all it had going for it. The actual producer of the show was the company that financed the show - that took the financial risk. The hierarchy was simple, the writer-producer couldn't fire the company, but the company could fire the writer-producer. I can vouch for this because I've been fired. A couple of times. But here we are now in the world of streaming television. On the plus side, a world where end credits are barely viewed by anyone. The viewer is actually encouraged to skip over them and quickly re-engage with another episode, or a different show or movie. Which brings me back to vanity cards. Why on Earth am I writing vanity cards for Bookie? My friends and family won't bother to read them. They might not even be able to find them. One might say, "If a vanity card is written on Max, and no one reads it, was it amusing?" Fuck if I know.

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