As long as poets belonged to a broader class of artists and intellectuals, they centered their lives in urban bohemias, where they maintained a distr… - Dana Gioia

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As long as poets belonged to a broader class of artists and intellectuals, they centered their lives in urban bohemias, where they maintained a distrustful independence from institutions. Once poets began moving into universities, they abandoned the working-class heterogeneity of Greenwich Village and North Beach for the professional homogeneity of academia.

English
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About Dana Gioia

Michael Dana Gioia (born December 24, 1950) is an American poet and critic. He has been chairman of the National Endowment for the Arts since January 2003.

Also Known As

Alternative Names: Gioia, Dana Michael Dana Gioia
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Poetry is an art form that demands heightened attention and retention. It both invites and rewards more intense involvement than we normally give to other kinds of speech. Poetic technique, therefore, is never esoteric but eminently practical. It serves at least two purposes. First, it announces that a poem differs from other kinds of speech, that it requires the audience's special attention. A poem begins by attracting our attention through its sound, shape, typography, syntax, texture, or tone. Second, the technique maintains the audience's involvement. All poetic form is a way of keeping the audience's attention beyond what ordinary language requires. Meter, for example, creates a gentle trance state in the auditor. Since poetry is more intense, condensed, and expressive than ordinary language, it needs these techniques to carry the burden of its message.

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Twisting through the thorn-thick underbrush,
scratched and exhausted, one turns suddenly
to find an unexpected waterfall,
not half a mile from the nearest road,
a spot so hard to reach that no one comes —
a hiding place, a shrine for dragonflies
and nesting jays, a sign that there is still
one piece of property that won't be owned.

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