Tout, au monde, existe pour aboutir à un livre - Stéphane Mallarmé

When the sad sun sinks, It shall pierce through the body of wax till it shrinks! No sunset, but the red awakening Of the last day concluding everything Struggles so sadly that time disappears, The redness of apocalypse, whose tears Fall on the child, exiled to her own proud Heart, as the swan makes its plumage a shroud For its eyes, the old swan, and is carried away From the plumage of grief to the eternal highway Of its hopes, where it looks on the diamonds divine Of a moribund star, which never more shall shine!

We have, in other words, a “daily paper.” But who, then, can make the gradual discovery of the meaning of this format, or even of a sort of popular fairyland charm about it? Then again, the leader, which is the most important part, makes its great free way through a thousand obstacles and finally reaches a state of disinterestedness. But what is the result of this victory? It overthrows the advertisement (which is Original Slavery) and, as if it were itself the powered printing press, drives it far back beyond intervening articles onto the fourth page and leaves it there in a mass of incoherent and inarticulate cries.

Verse is everywhere in language where there is rhythm, everywhere, except in notices and on page four of the papers. In the genre called prose, there are verses [...] of all rhythms. But in truth there is no prose: there is the alphabet, and then verses more or less tight, more or less diffuse.