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" "The intellectual abstraction of the second period of Cubism was of great importance, however. By its aspirations to the eternal and its 'concept of proportion inspired by the Classics' it revived the sense of craftsmanship concept in many painters. And this perfectly coincided with another of my ambitions – which was to make, with paint, an object having the same perfection of craftsmanship that a cabinet-maker would put into a piece of furniture.
Gino Severini (Cortona, 7 April 1883 – 26 February 1966), was an Italian painter and a leading member of the Futurist movement; he signed in 1910 the Manifesto of the Futurists together with his fellow Italians: Boccioni, Carrà, Russolo and Balla. Later, Cubism attracted him more.
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..since then I have found consolation in Blake; 'Without Contraries is no progression', he says in his Proverbs of Hell. And Baudelaire's idea that 'Variety is an essential condition of life' seems to me to be in perfect accord with my aspirations and with my intention, as a Futurist painter, to put life in the place occupied by reasoning in the art of the Cubist period.