Why doesn't she feel more somber about Richard's perversely simultaneous good fortune ("an anguished, prophetic voice in American letters") and his d… - Michael Cunningham
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Why doesn't she feel more somber about Richard's perversely simultaneous good fortune ("an anguished, prophetic voice in American letters") and his decline ("You have no T-cells at all, none that we can detect")? What is wrong with her? She loves Richard, she thinks of him constantly, but she perhaps loves the day slightly more.
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Michael Cunningham
Michael Cunningham (born November 6, 1952) is an American novelist and short story writer. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award in 1999. Cunningham is a senior lecturer of creative writing at Yale University.
I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.
We worship numberless gods or idols, but we all need to be the grandest possible versions of ourselves, we need to walk across the face of the earth with as much grace and beauty as we can muster before we’re wrapped in our winding sheets, and returned.
He makes her think sometimes of a mouse singing amorous ballads under the window of a giantess.