Michael Cunningham Quotes

There’s just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we’ve ever imagined.

Visions are answers. Answers imply questions.

The problem with the truth is, it's so often mild and clichéd.

It seems that she can survive, she can prosper, if she has London around her.

Barret thinks- he thinks, briefly- of turning around and leaving the park; of being, this time, the vanisher, the man who leaves you wondering, who offers no explanation, not even the sour satisfaction of a real fight; who simply drifts away, because (it seems) there's affection and there's sex but there's no urgency, no little hooks clasping little eyes; no binding, no dogged devotions, no prayers for mercy, not when mercy can be so easily self-administered. What would it be like, Barrett wonders, to be the other, the man who's had the modest portion he thinks of as enough, who slips away before the mess sets in, before he's available to accusation and recrimination, before the authorities start demanding of him When, and Why, and With Whom

"I'm talking about a little truth-in-packaging here. To be perfectly frank, you don't quite look like yourself. And if you walk around looking like someone other than who you are, you could end up getting the wrong job, the wrong friends, who knows what-all. You could end up with somebody else's life."

I shrugged again, and smiled. "This is my life," I said. "It doesn't seem like the wrong one."

Това, което понякога ме тревожеше, бе простата дружелюбност на всичко това. Живеехме в свят на доброта и домашен ред. Понякога се виждах като Снежанка, която живее при джуджетата. Джуджетата се грижели добре за нея. Но колко дълго би оцеляла тя, без надеждата да срещне някой с нейния ръст? Колко ли дълго е мела и кърпила, преди да започне да разбира, че животът ѝ се състои от безопасен рай и от невидими, но проникващи във всичко липси?

She has failed. She wishes she didn't mind. Something, she thinks, is wrong with her.

Fearlessness in the face of your own ineptitude is a useful tool to have.

She'll be willing to meet someone who can hold her interest for more than a few months, and that guy will teach her about domestic deepenings, the modest reliable thrill of the familiar, which as almost everyone but Liz knows has been the way of human happiness since humanity was born.

He's filled with a sense of childish release, the old feeling that because you are sick, all your trials and obligations have been suspended.

I’ve learned, from working with translators over the years, that the original novel is, in a way, a translation itself. It is not, of course, translated into another language but it is a translation from the images in the author’s mind to that which he is able to put down on paper. Here’s a secret. Many novelists, if they are pressed and if they are being honest, will admit that the finished book is a rather rough translation of the book they’d intended to write. It’s one of the heartbreaks of writing fiction. You have, for months or years, been walking around with the idea of a novel in your mind, and in your mind it’s transcendent, it’s brilliantly comic and howlingly tragic, it contains everything you know, and everything you can imagine, about human life on the planet earth. It is vast and mysterious and awe-inspiring. It is a cathedral made of fire. But even if the book in question turns out fairly well, it’s never the book that you’d hoped to write. It’s smaller than the book you’d hoped to write. It is an object, a collection of sentences, and it does not remotely resemble a cathedral made of fire. It feels, in short, like a rather inept translation of a mythical great work. The translator, then, is simply moving the book another step along the translation continuum. The translator is translating a translation.

a certain bohemian, good-witch sort of charm

...the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.

We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep — it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself.