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" "The young artists of to-day understand nothing; they copy to satiety the classic ornaments and designs, and reproduce them in so cold a manner that they lose all meaning. The ancients obtained their designs from nature. They found their models in the garden, even in the vegetable garden. They drew their inspiration from its source. The cabbage-leaf, the oak-leaf, the clover, the thistle, and the brier are the motives of the Gothic capital. It is not photographic truth, but living truth, that we must seek in art.
François-Auguste-René Rodin (12 November 1840 – 17 November 1917) was a French sculptor, and the preeminent sculptor of the modern era. He played a pivotal role in the art of the late nineteenth century, both excelling at and rebelling against the Beaux-Arts tradition.
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I grant you that the artist does not see Nature as she appears to the vulgar, because his emotion reveals to him the hidden truths beneath appearances.
But, after all, the only principle in Art is to copy what you see. Dealers in esthetics to the contrary, every other method is fatal. There is no recipe for improving nature.
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Now, to the great artist, everything in nature has character; for the unswerving directness of his observation searches out the hidden meaning of all things. And that which is considered ugly in nature often presents more character than that which is termed beautiful, because in the contractions of a sickly countenance, in the lines of a vicious face, in all deformity, in all decay, the inner truth shines forth more clearly than in features that are regular and healthy.