Relax for a moment my Jerry Come out of your dark monastery While Venus is beaming above. Darling, let's talk about love. - Cole Porter
" "Relax for a moment my Jerry Come out of your dark monastery While Venus is beaming above. Darling, let's talk about love.
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About Cole Porter
Cole Albert Porter (9 June 1891 – 15 October 1964) was an American composer and songwriter noted for his sophisticated (sometimes ribald) lyrics, clever rhymes, and complex forms.
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Cole Albert Porter
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Additional quotes by Cole Porter
"The Shortest Night of the Year"
It rained the day before we met
Then came 3 days that I forget
And then my love we met again
And I remember things from then
I measure time by what we do
And so my calendar is you
The shortest day of the year
Has the longest night of the year
And the longest night is the shortest night with you.
The Smallest Smile on your face
Is the greatest kind of embrace
And a single kiss is a thousand dreams come true
The softest sigh, that is my strongest tie
There’s you, there’s I, what can time do?
The shortest day of the year
Has the longest night of the year
And the longest night is the shortest night with you.
your softest sigh, that is my strongest tie
There’s you, there’s I, what can time do?
The shortest day of the year
Has the longest night of the year
And the longest night is the shortest night with you.
You've got that thing, you've got that thing
That thing that makes birds forget to sing
Yes, you've got that thing, that certain thing
You've got that charm, that subtle charm
That makes young farmers desert the farm
'Cause you've got that thing, that certain thing
You've got what Adam craved when he
With love for Eve was tortured
She only had an apple tree
But you, you've got an orchard
You've got those ways, those taking ways
That make me rush off to Cartier's
For a wedding ring, you've got that thing
I start with the title first. From this title I work out the psychology of the tune. Next I write the lyric backward, and in this way build it up to a climax. In the lyric I work first for the climax, and if I can’t find a good climactic line I throw out the tune . . . I consult rhyme dictionaries. I swear by them. For long, easy rhymes I use Andrew Loring’s Lexicon. Other books I have in constant use are Roget’s ‘Thesaurus,’ and atlas, Fowler’s ‘Modern English Usage’ and a dictionary.
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