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" "The great British 1950`s theatre critic Ken Tynnan, described the theatre as “an independent force at the country`s life , a sleeping tiger that can and should be roused whenever the national (or international) conscience needs nudging”. And Griselda Gambaro`s EL CAMPO does just that. It is a savage protest against the indignities imposed on modern man and woman by the impersonal bureaucracies and dictatorships in a language of poetic and startling originality. In the figure of Emma, the tortured artist, the part I played, we find expressed an outcry against the imprisonment of artists and the suppression of artistic freedom.
Angelique Rockas (born 31 August 1951 in Boksburg) is a South African Greek actress, producer and activist. Rockas founded Internationalist Theatre in the UK with patron Athol Fugard. The theatre featured multi-racial casts in classical plays, breaking racial barriers that were once accepted norms for theatrical performances.
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The ground breaking production of the company, and the point at which the cross-cultural casting began to bite, was Brecht’s anti-war play Mother Courage. Just one comment in a review by critic Malcolm Hay jolted us into the realisation that we were making history: Why is an Indian actor playing the Pastor?
Apart from the greatness of Bizos for his role in the dismantling of apartheid, defending Mandela etc , he also manifested a genius in his role as a leading member of the conservative South African Greek community, by drawing historical parallels between the 400 years of slavery that Greece had suffered under the Ottoman Turks and the 300 years or so of repression and cruelty suffered by the Southern African black tribes and mixed race people under the British and then under the Nationalist Afrikaner rule. By using this strategy Bizos was able to balance his fight for justice in South Africa, and synchronously lead the very conservative Greek community in a more progressive direction.