The great British 1950`s theatre critic Ken Tynnan, described the theatre as “an independent force at the country`s life , a sleeping tiger that can … - Angelique Rockas

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The great British 1950`s theatre critic Ken Tynnan, described the theatre as “an independent force at the country`s life , a sleeping tiger that can and should be roused whenever the national (or international) conscience needs nudging”. And Griselda Gambaro`s EL CAMPO does just that. It is a savage protest against the indignities imposed on modern man and woman by the impersonal bureaucracies and dictatorships in a language of poetic and startling originality. In the figure of Emma, the tortured artist, the part I played, we find expressed an outcry against the imprisonment of artists and the suppression of artistic freedom.

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About Angelique Rockas

Angelique Rockas (born 31 August 1951 in Boksburg) is a South African Greek actress, producer and activist. Rockas founded Internationalist Theatre in the UK with patron Athol Fugard. The theatre featured multi-racial casts in classical plays, breaking racial barriers that were once accepted norms for theatrical performances.

Also Known As

Alternative Names: Angelki, Anjelique

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I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens ,when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!

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