I'm sure these things are true. But the way she says them feels like an implied criticism. As if she's comparing her own selflessness to my self-absorption. But of course that's just evidence of my self-absorption. My mother is probably not thinking anything like this. In fact, my desire to think that she's thinking of me at all is a bit pathetic.

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I didn't know there were women who wore men's clothes and had men's haircuts. But like a traveler in a foreign country who runs into someone from home - someone they've never spoken to but know by sight - I recognized her with a surge of joy.

My mother must have bathed me hundreds of times. But it's my father rinsing me off with the purple metal cup that I remember most clearly. The suffusion of warmth as the hot water sluiced over me...
...the sudden, unbearable cold of its absence.

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Clarice: [getting cold feet] There's still time!
Toni: We can just call everyone and say we're terribly sorry but something came up and we have to leave town!
Clarice: ...But what about the five gallons of baba ganoush, and all those tofu pups?
Toni: Shit. I forgot. Well, I guess we'll just have to go through with it, then.

Mo: Clarice, you've gotta reconcile your feelings about leaving the neighborhood. It's not Ginger you're attracted to, it's what she represents. The co-op, the park, the block festival, the community!
Clarice: Oh, so it's really the community's inner thighs I want to drizzle with maple crème anglaise, which I then slowly lap up while straddling the tantalizing tongue of the co-op.

"This is one of my difficulties now... my fear that Mom will find this memoir about her "angry." Another difficulty is the fact that the story of my mother and me is unfolding even as I write it."