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" "‘Architecture’ may at first appear to be a more fixed and finite term. It has a threedimensional, tangible, useable form. But questions remain about what can be considered architecture and what cannot, and by this I mean that we usually understand architecture to incorporate aesthetic as well as functional consideration into its structure. Anything that does not fall into this category can be described as ‘just a building’. This may seem too simple. Can architecture be determined solely by the use of refined architectural style – high or polite architecture instead of vernacular?
Dana Rebecca Arnold, FSA (born 22 June 1961) is a British art historian and academic, specialising in architectural history. Since 2016, she has been Professor of Art History at the University of East Anglia. Previously Arnold taught at the University of Leeds, the University of Southampton and Middlesex University.
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[B]iography is an essential part of human memory. We think about ourselves in terms of what we have done – our identity is constructed around our past. Are history and biography linked or just two parallel strands? Biographers and historians make choices about how to frame their subject, they draw together fragments to present a possible glimpse of the unattainable whole. An historian might have a thesis or method which drives his/her enquiry whereas a biographer has, perhaps, a particular view of an individual they wish to present. Neither presents the truth, only an interpretation.
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The invisibility of women in canonical histories might lead us to believe that women have no history. Surely then a female history is an essential tool in the emancipation of women? This is partly because if we have no history we are ‘trapped’ in the present where oppressive social relations can continue unchallenged. Furthermore, history can be seen as evidence that things can and do change.