It’s still rare to see eroticism explored in elderly female characters, but not so rare for male characters. Thanks to such authors as J.M. Coetzee, … - Sarah Ladipo Manyika

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It’s still rare to see eroticism explored in elderly female characters, but not so rare for male characters. Thanks to such authors as J.M. Coetzee, Ian McEwan and Philip Roth, I have many literary examples of older men’s desire, but far less when it comes to older women. Yet, when I speak to older women I hear from them many stories about desire– sexual and otherwise. So yes, desire was always going to be an important part of the book.

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About Sarah Ladipo Manyika

Sarah Ladipo Manyika (born 7 March 1968) is a British-Nigerian writer of novels, short stories, essays, and an active member of the literary community, particularly supporting and amplifying young writers and female voices.

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Whenever I can’t find stories that I want to read, I try writing them for myself. In this case, I’d met many older women who’d lived colorful lives and yet when it came to fiction, I didn’t find stories that mirrored these lives, especially so when it came to the lives of Black women.

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My father describes Okigbo as a fast-speaking, fast-driving, fun-loving, and extremely intelligent young man. He apparently had a flair for languages, routinely reciting passages of Ovid in Latin, and tutoring one student in Greek who subsequently got an A in the Greek exam. My dad also describes how Okigbo, along with the school headmaster, Alex Ajayi, would have various “bashes” over the weekend. They were, as my father later reflected, a high-powered Bloomsbury Group of young intellectuals and scholars. These are stories I wish we had more of, and they’re part of the impetus behind Between Starshine and Clay: Conversations from the African Diaspora.

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