The Ramayan, one of the most revered texts in Hinduism, tells the story of a prince called Ram. Dashrath, king of Ayodhya, had three wives but no chi… - Devdutt Pattanaik

Ram's calm repose in the face of all adversity, so evident in the Ramayan, has made him worthy of veneration, adoration and worship. Ram's story has reached the masses not through erudite Sanskrit texts but through theatre song and dance performed in local languages. All of these retellings of Ramayan have their own turns and twists, their own symbolic outpouring, each one valid in their respective contexts.

The twentieth century saw Ram on celluloid with films like Bharat Milap (1942), Ram Rajya (1943 film) andSati Sulochana (1961). Ramanand Sagar's television serial Ramayan, with Arun Govil starring as Ram, made history in the late 1980s.

Despite their deep knowledge of Hinduism, neither Elst nor Frawley, neither Doniger nor Pollock, believe in letting go and moving on, which is the hallmark of Hindu thought, often deemed as a feminine trait. Instead, Elst and Frawley keep drawing attention to injustice done by colonisers, goading Indians to rise up and fight, a violent tendency that is the hallmark of Western thought, often deemed as a masculine trait... Elst and Frawley follow the Abrahamic mythic pattern that establishes them as ‘prophets’ leading the enslaved – colonised – Indians back to the ‘Vedic Promised Land’.