Rajiv Malhotra Quotes

This support for the Church continued during the British era when the East India Company and the British government gave away large grants of prime land to the Church. This is the reason that innumerable graveyards, Young Men’s Christian Associations, churches, and Christian missionary schools occupy the most prestigious locations in cities across India.

Things changed dramatically with the Muslim invasions. The Muslim period is characterized by the decline of towns, trade, and agriculture. The progress of the Indian masses was stifled, and they became helpless, immobile, and poor. This environment of despair was not conducive to either economic enterprise, trade, or industrial growth. At times, agriculture too could barely sustain itself. The best hope for many people was to just survive. The jatis were less enterprising and resorted to ossifying their hereditary occupations and to endogamy.

Postmodernism has made it fashionable to deconstruct what its adherents called the 'grand narratives' of history, seeing these as little more than the stories of the triumph of Western progress which was largely achieved by suppressing or violently overthrowing other groups. More problematically, postmodernists advocate that all identities be dismantled or blurred and view all positively distinctive cultures as being oppressive to weaker or less assertive ones.
This idea might at first seem reasonable, especially when viewed through a postcolonial or subaltern lens, but it opens the door to a pervasive cynicism and narrowness of vision with no workable criteria of value in aesthetics, politics or philosophy. The postmodern insistence on denying such identities as Indian and Western leaves non-Western cultures vulnerable to even further exploitation because they are denied the security of possessing a difference which is real and defensible. Postmodernism, then, tends to undermine the particular reality of the non-Western culture that might be in need of being affirmed, protected and developed. The type of Indian distinctiveness I shall propose is not affected by the problems posed by postmodernists, because (i) it is not based on historical exclusiveness or superiority, be it religious or otherwise, (ii) it makes no claims of finality of knowledge, and (iii) it has no mandate to impose on others.

India is more than a nation state. It is also a unique civilization with philosophies and cosmologies that are markedly distinct from the dominant culture of our times – the West. India’s spiritual traditions spring from dharma which has no exact equivalent in western frameworks. Unfortunately, in the rush to celebrate the growing popularity of India on the world stage, its civilizational matrix is being digested into western universalism, thereby diluting its distinctiveness and potential.

I am aware that important initiatives are under way, often funded by generous Western donors, to preserve and translate ancient Sanskrit texts. These efforts are laudable. They cannot substitute, however, for an understanding of the importance of Sanskrit terms and texts in the original language as resources for spiritual practice and even for social organization. Nor do these efforts even begin to rectify one of the great scandals of the modern university: the absence of Sanskrit from the curriculum – even in philosophy where it was a pillar of learning in the West not long ago.

After its publication, TBFS was released in multiple cities around the end of January and the beginning of February by some of India’s most well-known personalities: Subhash Chandra (Chairman of Zee Media) in Mumbai, Sri Sri Ravi Shankar (eminent spiritual leader and humanitarian) in Bengaluru, and Dr. Najma Akbarali Heptulla (Minority Affairs Minister, Government of India) in New Delhi. Prominent educational, spiritual, and social institutes in India hosted Malhotra during this period: Delhi University and Jawaharlal Nehru University (New Delhi); Ramakrishna Mission and IIT Madras (Chennai); Vedic Gurukulam (Bidadi); The Art of Living Ashram and Karnataka Sanskrit University (Bangalore); and Chinmaya Mission, IIT Bombay, and TISS (Mumbai). Malhotra also participated in a panel discussion at the Jaipur Literature Festival along with Amish Tripathi (bestselling fiction writer). This kind of reception is rarely seen in India for non-fiction books.

This book is even more important than Breaking India because today’s ‘Breaking India forces 2.0’, as this book refers to them, are operating behind the scenes. They can only be understood upon careful and incisive investigation into their activities.

Ashoka could have been India’s answer to Western liberal arts. It could have been the go-to place for putting Indian civilization on the global stage. But both the elite businessmen that funded the institution, and the government that sought its advice, didn’t care to do basic due diligence.

Many similar views were also expressed in the Sanskrit Commission Report written under the Nehru government in the 1950s. That report declares: "The State in ancient India, it must be specially pointed out, freely patronised education establishments, but left them to develop on their own lines, without any interference or control. It says that until the British disruption, the salient features of our traditional education included: 'oral instruction, insistence on moral discipline and character-building, freedom in the matter of the courses of study, absence of extraneous control...' ... We can never insist too strongly on this signal fact that Sanskrit has been the Great Unifying Force of India, and that India with its nearly 400 millions of people is One Country, and not half a dozen or more countries, only because of Sanskrit.'

The contradiction between Christian exclusivism and true liberalism is seldom discussed openly (and perhaps even privately).

In Hinduism, classical dance is conceived as an internalized spiritual practice: using movement, sound and emotion to internalize the cosmology and epistemology within the dancer's body. It is the only major world religion to have been successfully transmitted through such embodiment for so long. This is exemplified by the iconographic depiction of Shiva-Nataraja, which is a stylized projection of Shiva manifested as the ascetic master of sacred dance. Similarly, the narratives and iconography of Krishna dancing with his devotees exemplifies, evokes and reinforces the 'rasa' (inner emotional states) of the devotees as they attempt to unite inwardly with their 'ishta-devata' (personal deity). Such expressions are not reserved for use by a spiritual elite; rather, they inform and engage the entire culture and are part of the folk narratives known to every Hindu.

The American poet T.S. Eliot (1888–1965) was one of the few westerners who understood both the potency of Sanskrit and its relationship to dharma. He studied the language at Harvard, where it was an integral part of the philosophical curriculum. Ultimately, he refrained from embracing either Hinduism or Buddhism as a result of his own cultural upbringing and conditioning. Nonetheless, Eliot demonstrated his insight into Sanskrit in his major poem 'The Waste Land' not only by exploring the multiple meanings of the phoneme 'DA' (mentioned above) but by ending his poem with the mantra ' shantih shantih shantih'. He had enough understanding of the claims made for Sanskrit not to attempt to translate this mantra. In her book, T.S. Eliot and Indic Traditions , Cleo Kearns explains that it was the poet's study of the Upanishads and Vedic texts that showed him that breath, sound and silence were at the heart of language. Eliot understood that a mantra's efficacy depends not on its meaning, per se, but on the effect that its correct utterance and accompanying breathing techniques have. While he did not use the term, he could have been speaking of mantra-shakti, or 'mantra-power', when he wrote that language works through 'syllable and rhythm, penetrating far below the conscious level of thought and feeling, invigorating every word; sinking to the most primitive and forgotten, returning to the origin and bringing something back, seeking the beginning and the end. It works through meanings, certainly, or not without meanings in the ordinary sense …'

People from dharmic cultures tend to be more accepting of difference, unpredictability and uncertainty than westerners. The dharmic view is that so-called 'chaos' is natural and normal; it needs, of course, to be balanced by order, but there is no compelling need to control or eliminate it entirely nor to force cohesion from outside. The West, conversely, sees chaos as a profound threat that needs to be eradicated either by destruction or by complete assimilation. [...] Indians tend to be more relaxed in unpredictable situations than westerners. Indians indeed find it natural to engage in non-linear thinking, juxtaposing opposites and tackling complexities that cannot be reduced to simple concepts or terms. They may be said even to thrive on ambiguity, doubt, uncertainty, multitasking, and in the absence of centralized authority and normative codes. Westerners, by contrast, tend by and large to be fearful of unpredictable or decentralized situations. They regard these situations as 'problems' to be 'fixed'. [...] In the vast canon of classical writings in Sanskrit, we see many context-sensitive and flexible ways of dealing with chaos and difference. The search here is always for balance and equilibrium with the 'rights' of chaos acknowledged. On the other hand, in the creation stories in Genesis and in the Greek classics, there is a constant zero-sum battle between the two poles in which order must triumph.

I looked at the various examples of religious tension that were listed in the paper and wondered whether it was perhaps too simplistic to identify the 'victims' and the 'culprits' as they had done. I noticed that Islam was listed as a victim in one country but not as an aggressor in others. The same was true of Christianity: its representatives had lodged complaints against other religious groups in places such as East Timor, but there was silence concerning Christianity's own aggressive campaigns elsewhere. Later I realized that such asymmetrical representations are not uncommon in the academy, so I proposed to Prof. Law that we do some pre-conference preparation and research the deep-rooted causes of religious violence. My feeling was that all religious ideologies, without exception, should be open to serious investigation.
My foundation offered to fund a one-year research project in which graduate students at Cornell representing every major religion would closely scan the major books of every religion. They would highlight every line or statement that expressed contempt, intolerance or hatred against non-believers as well as other excluded and marginalized groups such as slaves, women, foreigners, and so on. Since religious violence often gains steam from such hateful speech contained in the very texts believers revere, the conference would endeavour to enumerate these offensive and questionable teachings and call for a resolution against them. In Hindu scriptures, for instance, all statements that are disparaging of 'lower' castes were to be placed on the list. Throughout the process, each religious delegation would have sufficient opportunity to make comments and resolve disagreements on specifics. I felt it would be a watershed event in the cessation of violence if the various religions agreed to discontinue such offensive teachings.
Prof. Law herself supported my proposal but was unsure about how the religious groups would feel; so she set about calling them to gauge their reactions. Some weeks later, she told me that merely raising my suggestion with certain religious heads (whom she did not name) had elicited considerable anger. They could not 'tolerate' the idea of outsiders meddling with their religious texts. These texts, after all, could never be altered nor declared invalid in any manner as they contained the words of God.

It seems obvious that Pollock is committed to the Marxist theory linking literary works and political power. He wants to deploy it as his lens for analysing how the aesthetic use of languages in India became interwoven into the fabric of politics. At a deeper level, beyond the aesthetic and political usage of Sanskrit, he finds that old Marxist demon: theology. For him, as for most Marxist-oriented scholars, all forms of spirituality/transcendence are, in effect, irrational, deformed and mystified ways of thinking....