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" "« Votre pays, le mien, tous les pays du monde, partagent la même cause, et le résultat, c’est que des gens qui s’en foutent comme d’une fiente de baleine sont envoyés pour tuer des femmes et des enfants. La voilà, la cause de tous les pays ! Et vous savez ce que c’est que cette cause ? Pour moi, c’est de la rapacité pure et simple, et elle me pue au nez ! »
John Kilian Houston Brunner (September 24, 1934 – August 26, 1995) was a science fiction author. His work in the new wave sub-genre is highly acclaimed and influential. His earlier (prolific, often pseudonymous) space operas are generally considered unremarkable.
Biography information from Wikiquote
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State wants the alleged techniques, presumably.”
“I’ve been wondering about that,” Norman said. “I wonder if we do want them.”
“How do you mean?”
“It’s a bit difficult to explain … Look, have you been following television at all since you came home?”
“Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.”
“So have I, but — well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room.
“Engrelay Satelserv blankets most of Africa, doesn’t it?”
“The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.”
“So you’re acquainted with Mr. and Mrs. Everywhere?”
“Yes, of course — these two who always appear in station identification slots, doing exotic and romantic things.”
“Did you have a personalised set at any time, with your own identity matted into the Everywhere image?”
“Lord, no! It costs — what? About five thousand bucks, isn’t it?”
“About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And — to be absolutely frank — a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie.
There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is