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(...) A good movie is precisely the one in which the camera disappears, when we are no longer aware of watching a movie, while an avant-garde film tr… - Julio Cabrera
" "(...) A good movie is precisely the one in which the camera disappears, when we are no longer aware of watching a movie, while an avant-garde film tries to turn the camera to itself and show the hidden device. A jocular way of understanding this would be to compare the reaction of a human and that of a cat when we point to an object with the finger; while the human looks beyond the finger trying to discover the object to which the finger points, the cat stares at the finger; in this sense, the cat is avant-garde, it is more interested in the medium (the finger, the camera) than the object pointed.
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About Julio Cabrera
Julio Cabrera is an Argentine philosopher living in Brazil. He is best known for his works on "negative ethics" and cinema and philosophy.
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Julio Cabrera (philosopher)
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Additional quotes by Julio Cabrera
Cine: 100 años de Filosofía. Gedisa, Barcelona, 2015, (2nd edition), p. 171 <small></small>
When a European philosophizes, all his problems are of essence, there is no doubt about the existence of his thought. When a Latin American philosophizes (and this could be extended, for example, to Africans and other marginalized thoughts) he has to prove that his philosophy exists, that he has the right to reflect. (...) I call this a requirement of "insurgency" of Latin American philosophizing: to come into being, the activity of philosophizing from Latin America must insurge against intellectual exclusion (...) not strictly because it "wants" to insurge but because it is not allowed to "arise" in another way (...) Philosophizing from Latin America is reactive and insurgent or it isn't; it is an imperative need for survival.
Cinema does not eliminate the requirement of truth and universality, but (...) redefines them within the logopathic phenomenon (...) the universality of cinema is peculiar, it belongs more to the order of possibility than to necessity. Cinema is universal, not in the sense of "necessarily happens to everyone", but in the sense of "could happen to anyone"
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