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" "Before us, art relied on memory, an anxious re-evocation of an Object lost (happiness, love, a landscape), and hence was nostalgic, static, charged with suffering and distance. With Futurism, instead, art is turning into art-action, which is to say, into will, optimism, aggression, possession, penetration, delight, brutal reality within art (example: onomatopoiea; —example: noise-tuners = motors), geometrical splendor of forces, projections forward. Thus, art is becoming Presence, new Object, new reality created with the abstract elements of the universe. The hands of the passéist artist used to suffer for the sake of the lost Object; our hand will twitch for the new Object to be created. That is why the new Object (the plastic complex) has miraculously appeared in your hands.
Filippo Tommaso Emilio Marinetti (December 22, 1876 – December 2, 1944) was an Italian ideologue, poet, editor, and main founder of the futurist movement of the early 20th century.
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While an artist is labouring at his work of art, nothing prevents it from surpassing Dream. As soon as it is finished, the work must be hidden or destroyed, or better still, thrown as a prey to the brutal crowd which will magnify it by killing it with its scorn, and thereby intensify its absurd uselessness. We thus condemn art as finished work, we conceive of it only in its movement, in the state of effort and draft. Art is simply a possibility for absolute conquest. For the artist, to complete is to die.