Trató de volver a vivir ese momento, la tierra roja y húmeda, el intenso olor de los bosques de pinos y eucaliptos, donde el tapiz de las hojas secas… - Isabel Allende
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Trató de volver a vivir ese momento, la tierra roja y húmeda, el intenso olor de los bosques de pinos y eucaliptos, donde el tapiz de las hojas secas se maceraba, después del largo y cálido verano, y donde la luz cobriza del sol se filtraba entre las copas de los árboles. Trató de recordar el frío, el silencio y esa preciosa sensación de ser los dueños de la tierra, de tener veinte años y la vida por delante, de amarse tranquilos, ebrios de olor a bosque y de amor, sin pasado, sin sospechar el futuro, con la única increíble riqueza de ese instante presente, en que se miraban, se olían, se besaban, se exploraban, envueltos en el murmullo del viento entre los árboles y el acantilado, estallando en un fragor de espuma olorosa, y ellos dos, abrazados dentro del mismo poncho como siameses en un mismo pellejo, riéndose y jurando que sería para siempre, convencidos de que eran los únicos en todo el universo en haber descubierto el amor.
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About
Isabel Allende
Isabel Allende (born August 2, 1942) is a Chilean writer. Allende, whose works sometimes contain aspects of the genre magical realism, is known for novels such as The House of the Spirits (La casa de los espíritus, 1982) and City of the Beasts (La ciudad de las bestias, 2002), which have been commercially successful. Allende has been called "the world's most widely read Spanish-language author." In 2004, Allende was inducted into the American Academy of Arts and Letters, and in 2010, she received Chile's National Literature Prize. President Barack Obama awarded her the 2014 Presidential Medal of Freedom.
"If what you want is the effect of painting, then paint, Aurora. If what you want is truth, learn to use your camera," he would say again and again
Daily life is brimful of fantasy and at the same time books are saturated with reality. I feel that all things float within the realm of the possible. As a reader I let myself be carried away by the enchantment of a story, without worrying too much about its authenticity. As a writer I abandon myself in the same way to the necessity of telling, convinced that if something is not exactly true at this moment, it may be so tomorrow. That's the way I have found it to be in my work.
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I have the idea that we grandmothers are meant to play the part of protective witches; we must watch over younger women, children, community and also, why not? this mistreated planet, the victim of such unrelenting desecration.