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" "The self-inflicted isolation of the contemporary artist and the mistrust levelled against the architect are both important contributing factors in the current situation of architectural art. The painter is anxious to keep intact the historical image of artist as loner, the intense sensitive, the genius and “maestro”; while the architect, feeling the watchful eye of his client constantly over his shoulder, approaches any extra-to-budget expense, such as art, with considerable trepidation, guarding jealously any intrusion into his building by potential glory-thieves. – Clarke in the essay 'Towards a New Constructivism', from his 1979 book Architectural Stained Glass.
Brian Clarke (2 July 1953 – 1 July 2025) was a British painter, architectural artist and printmaker, known for his large-scale stained glass and mosaic projects, polemical writings and lectures, and collaborations with major figures in contemporary architecture.
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Fallen petals on the grass or scattered flowers across a field do unexpected things when you examine them – Primroses seem to cluster together in a shape that recalls a single flower; Bluebells become entirely anonymous in a hovering mist; Daffodils group together into crowns of thorns and barbed wire.
I am working class artist. I am very happy if my work pleases or engages intellectuals or professional people, but my art is an art for the mass: I want to communicate this idea of intimacy and poetic transcendence to as many people as possible, and the idea that it is confined to one social demographic is abhorrent to me.
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