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" "The intention of not only the screenwriter, but also the entire production staff, was to focus on how people would react if a creature such as Godzilla really did appear. What would the politicians do? How about the scientists? How would the military handle the situation? Given this, it was inevitable that the film would seem at least somewhat like a documentary.
Ishirō Honda (本多 猪四郎) (7 May 1911 - 28 February 1993) was a Japanese director and one of the creators of the Godzilla franchise.
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Monsters are tragic beings. They are born too tall, too strong, too heavy, they are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself. After several stories such as this, people end up having a kind of affection for the monsters. They end up caring about them.
I don't really have a positive or negative opinion about them [the Heisei Godzilla films]. The special effects technically are very sophisticated, but the films lack imagination. It seems as if all Toho is trying to do is show things being destroyed. I don't fault the members of the production department, though, because I know that that is what Toho's executives are demanding.
My nightmares are almost always about war - wandering the streets, searching for something that's lost forever. But it's possible for me to will myself to have pleasant dreams. For me, the most wonder fragrance in the world is new film. You open the canister for the first time and breathe deeply. That night, the same wonderful fragrance fills your dreams. It's grand.