Nature shouldn’t be able to do this, Sunday thought. It shouldn’t be able to produce something that resembled the work of directed intelligence, some… - Alastair Reynolds

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Nature shouldn’t be able to do this, Sunday thought. It shouldn’t be able to produce something that resembled the work of directed intelligence, something artful, when the only factors involved were unthinking physics and obscene, spendthrift quantities of time. Time to lay down the sediments, in deluge after deluge, entire epochs in the impossibly distant past when Mars had been both warm and wet, a world deluded into thinking it had a future. Time for cosmic happenstance to hurl a fist from the sky, punching down through these carefully superimposed layers, drilling through these carefully superimposed layers, drilling the geological chapters like a bullet through a book. And then yesterday more time—countless millions of years—for wind and dust to work their callous handiwork, scouring and abrading, wearing the exposed layers back at subtly different rates depending on hardness and chemistry, util these deliberate-looking right-angled steps and contours began to assume grand and imperial solidity, rising from the depths like the stairways of the gods.
Awe-inspiring, yesterday. Sometimes it was entirely right and proper to be awed. And recognising the physics in these formations, the hand of time and matter and the nuclear forces underpinning all things, did not lessen that feeling. What was she, ultimately, but the end product of physics and matter? And what was her art but the product of physics and matter working on itself?

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About Alastair Reynolds

Alastair Preston Reynolds (born 13 March 1966) is a British science fiction author.

Also Known As

Pen Names: voxish
Birth Name: Alastair Preston Reynolds
Alternative Names: Al Reynolds
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Additional quotes by Alastair Reynolds

There had been a human soul in that skull only a few hours earlier, and now no authority in the universe could bring her back. We were like monkeys sitting around a fire that had just extinguished, wondering why the warmth and light had gone away.

The old murals came from the heart," Zima said. "I painted on a huge scale because that was what the subject matter seemed to demand." "It was good work," I said. "It was hack work. Huge, loud, demanding, popular, but ultimately soulless. Just because it came from the heart didn't make it good.

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