When any hungry wretch takes it into his head to ruin the kingdom, he goes to the king and says to him: 'Sire; if your majesty will give me the permi… - Niccolao Manucci

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When any hungry wretch takes it into his head to ruin the kingdom, he goes to the king and says to him: 'Sire; if your majesty will give me the permission to raise money and a certain number of armed men, I will pay so many millions. The king then asks how it is intended to raise the money. It is by nothing else than the seizure of everybody in the kingdom, men and women, and by dint of torture compelling them to pay what is demanded. Such financiers are hateful and avaricious men. The king generally consents to their unjust proposals, as he thereby satisfies his own greed; he accords the asked-for permission, and demands security bonds.

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About Niccolao Manucci

Niccolao Manucci (19 April 1638–1717) was an Italian writer and traveller. He worked in the Mughal court. He worked in the service of Dara Shikoh, Shah Alam, Raja Jai Singh and Kirat Singh.

Also Known As

Alternative Names: Niccolò Manucci Nicolò Manucci Nicolao Manuchy
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Additional quotes by Niccolao Manucci

The chief temples destroyed by King Aurangzeb within his kingdom were the following: Maisa (? Mayapur), Matura (Mathura), Caxis (Kashi), Hajudia (Ajudhya), and an infinite number of others ; but, not to tire the reader, I do not append their names.

Not resting content with the above orders [prohibiting alcohol, drugs, long beards, etc.], Aurangzeb. . .ordered the same official [the muhtasib14 ] to stop music. If in any house or elsewhere he heard the sound of singing and instruments, he should forthwith hasten there and arrest as many as he could, breaking the instruments. Thus was caused a great destruction of musical instruments. Finding themselves in this difficulty, their large earnings likely to cease, without there being any other mode of seeking a livelihood, the musicians took counsel together and tried to appease the king in the following way: About one thousand of them assembled on a Friday when Aurangzeb was going to the mosque. They came out with over twenty highly-ornamented biers, as is the custom of the country, crying aloud with great grief and many signs of feeling, as if they were escorting to the grave some distinguished defunct. From afar Aurangzeb saw this multitude and heard their great weeping and lamentation, and, wondering, sent to know the cause of so much sorrow. The musicians redoubled their outcry and their tears, fancying the king would take compassion upon them. Lamenting, they replied with sobs that the king’s orders had killed Music, therefore they were bearing her to the grave. Report was made to the king, who quite calmly remarked that they should pray for the soul of Music, and see that she was thoroughly well buried. In spite of this, the nobles did not cease to listen to songs in secret. This strictness was enforced in the principal cities.

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