Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual … - Ursula K. Le Guin

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Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their truth-telling to sentimental platitude. heroes brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionately conceived ideas of the great story-tellers are copied, stereotyped, reduced to toys, molded in bright-colored plastic, advertised, sold, broken, junked, replaceable, interchangeable.

What the commodifiers of fantasy count on and exploit is the insuperable imagination of the reader, child or adult, which gives even these dead things life- of a sort, for a while.

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About Ursula K. Le Guin

Ursula K. Le Guin (21 October 1929 – 22 January 2018) was an American writer, known mostly for her work in science fiction and fantasy. She received the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, and was made a Grandmaster of Science Fiction in 2003.

Biography information from Wikiquote

Also Known As

Birth Name: Ursula Kroeber
Alternative Names: Ursula Kroeber Le Guin Ursula Le Guin
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How men feared women! she thought, walking among the late-flowering roses. Not as individuals, but women when they talked together, worked together, spoke up for one another - then men saw plots, cabals, constraints, traps being laid. Of course they were right. Women were likely, as women, to take the next generations part, not this one's; they wove the links men saw as chains, the bonds men saw as bondage.

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It had never occured to me that thinking and music are so much alike. In fact, you can say music is another way of thinking or maybe thinking is another kind of music.

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