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No, Mr. Honda, I have forgotten none of the blessings that were mine in the other world. But I fear I have never heard the name Kiyoaki Matsugae. Don… - Yukio Mishima
" "No, Mr. Honda, I have forgotten none of the blessings that were mine in the other world. But I fear I have never heard the name Kiyoaki Matsugae. Don’t you suppose, Mr. Honda, that there never was such a person? You seem convinced that there was; but don’t you suppose that there was no such person from the beginning, anywhere? I couldn’t help thinking so as I listened to you.”
“Why then do we know each other? And the Ayakuras and the Matsugaes must still have family registers.”
“Yes, such documents might solve problems in the other world. But did you really know a person called Kiyoaki? And can you say definitely that the two of us have met before?”
“I came here sixty years ago.”
“Memory is like a phantom mirror. It sometimes shows things too distant to be seen, and sometimes it shows them as if they were here.”
“But if there was no Kiyoaki from the beginning — ” Honda was groping through a fog. His meeting here with the Abbess seemed half a dream. He spoke loudly, as if to retrieve the self that receded like traces of breath vanishing from a lacquer tray. “If there was no Kiyoaki, then there was no Isao. There was no Ying Chan, and who knows, perhaps there has been no I.”
For the first time there was strength in her eyes.
“That too is as it is in each heart.
English
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About Yukio Mishima
Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.
Biography information from Wikiquote
Also Known As
Native Name:
三島 由紀夫
•
平岡 公威
Alternative Names:
Mishima Yukio
•
Kimitake Hiraoka
•
Hiraoka Kimitake
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Additional quotes by Yukio Mishima
Only through the group, I realised — through sharing the suffering of the group — could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of individuality was necessary. The tragic quality of the group was also necessary, the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it to an ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death — which meant, of course, that it must be a community of warriors.
"I think it's a wonderful song," she said. But she was only shielding his pride, he knew. Obviously this was the first time she had ever heard the song, though she pretended to know it well. She can't penetrate to the feelings deep down in a song like this; or see through the murk of my manhood to the longing that sometimes makes me weep; fair enough: then as far as I'm concerned, she's just another body.
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