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" "I have sometimes felt that writers on the artistic aspect of photography have too often, like the reformers of religious creeds, led their followers into a condition of disbelief and unrest, and then left them to find out for themselves how to live up to new and vague beliefs, so many writers on Pictorial Photography have told us what to avoid without saying why, and have then told us what to do without showing how.
(1863 – 25 February 1908) was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s.
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…the strongest part of a picture is the sensation and the feeling which it creates, this being done through the agency of certain familiar objects more or less accurately depicted and represented with more or less completeness.
The MOTIVE, then, in all pictorial work is to convey some thought or idea or sensation by means of a chosen subject.