In many ways, the story I chose to write is not what readers might associate with the archetypal immigrant or exile story. It’s not a story of someon… - Sarah Ladipo Manyika

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In many ways, the story I chose to write is not what readers might associate with the archetypal immigrant or exile story. It’s not a story of someone who has arrived in a country without all the necessary documentation, or of someone living on the edges of society, just barely scraping by. I chose to write about a character who lives a life of the mind and is materially well off. Yet, as you highlight, she too faces hardships and loneliness in her old age.

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About Sarah Ladipo Manyika

Sarah Ladipo Manyika (born 7 March 1968) is a British-Nigerian writer of novels, short stories, essays, and an active member of the literary community, particularly supporting and amplifying young writers and female voices.

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Humans are fond of putting people into categories for all sorts of reasons, but oftentimes, especially when it comes to skin color and nationality, for creating hierarchies or pecking orders. As for my experiences of race and identity, that’s a very big question deserving of an essay-length response, hence my introductory chapter.

My main goal is to make progress on my current novel. I’d also like to play more with the new tools of artificial intelligence (AI) and have more conversations with writers about the future of writing in this age of AI, not just about what we might lose but what we might gain too.

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Thanks to my mum, I read many Puffin classics. I loved the miniature Beatrix Potter books, Richard Adam’s Watership Down, and tales of Brer Rabbit. As a child, I was a voracious reader, of books and of people, and still am an inveterate eavesdropper and people-watcher. Snippets of overheard conversations and the faces of people not usually noticed often inspire the stories I write. Wondering about other people’s life stories is what I do.

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