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" "I like to watch an old boatman rowing, especially one who has been hired by the hour. There is something so beautifully calm and restful about his method. It is so free from that fretful haste, that vehement striving, that is every day becoming more and more the bane of nineteenth-century life. He is not for ever straining himself to pass all the other boats. If another boat overtakes him and passes him it does not annoy him; as a matter of fact, they all do overtake him and pass him — all those that are going his way. This would trouble and irritate some people; the sublime equanimity of the hired boatman under the ordeal affords us a beautiful lesson against ambition and uppishness.
Jerome Klapka Jerome (May 2, 1859 – June 14, 1927) was an English author, best known for the humorous travelogue Three Men in a Boat.
Biography information from Wikiquote
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When a twelfth-century youth fell in love he did not take three paces backward, gaze into her eyes, and tell her she was too beautiful to live. He said he would step outside and see about it. And if, when he got out, he met a man and broke his head—the other man's head, I mean—then that proved that his—the first fellow's—girl was a pretty girl. But if the other fellow broke his head—not his own, you know, but the other fellow's—the other fellow to the second fellow, that is, because of course the other fellow would only be the other fellow to him, not the first fellow who—well, if he broke his head, then his girl—not the other fellow's, but the fellow who was the—Look here, if A broke B's head, then A's girl was a pretty girl; but if B broke A's head, then A's girl wasn't a pretty girl, but B's girl was. That was their method of conducting art criticism.
Our trouble is sore indeed when you turn away and will not comfort us. How long the dawn seems coming when we cannot sleep! Oh! those hideous nights when we toss and turn in fever and pain, when we lie, like living men among the dead, staring out into the dark hours that drift so slowly between us and the light. And oh! those still more hideous nights when we sit by another in pain, when the low fire startles us every now and then with a falling cinder, and the tick of the clock seems a hammer beating out the life that we are watching.
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Human thought is not a firework, ever shooting off fresh forms and shapes as it burns; it is a tree, growing very slowly — you can watch it long and see no movement — very silently, unnoticed. It was planted in the world many thousand years ago, a tiny, sickly plant. And men guarded it and tended it, and gave up life and fame to aid its growth. In the hot days of their youth, they came to the gate of the garden and knocked, begging to be let in, and to be counted among the gardeners. And their young companions without called to them to come back, and play the man with bow and spear, and win sweet smiles from rosy lips, and take their part amid the feast, and dance, not stoop with wrinkled brows, at weaklings' work. And the passers by mocked them and called shame, and others cried out to stone them. And still they stayed there laboring, that the tree might grow a little, and they died and were forgotten. And the tree grew fair and strong. The storms of ignorance passed over it, and harmed it not. The fierce fires of superstition soared around it; but men leaped into the flames and beat them back, perishing, and the tree grew. With the sweat of their brow have men nourished its green leaves. Their tears have moistened the earth about it. With their blood they have watered its roots. The seasons have come and passed, and the tree has grown and flourished. And its branches have spread far and high, and ever fresh shoots are bursting forth, and ever new leaves unfolding to the light. But they are all part of the one tree — the tree that was planted on the first birthday of the human race. The stem that bears them springs from the gnarled old trunk that was green and soft when white-haired Time was a little child; the sap that feeds them is drawn up through the roots that twine and twist about the bones of the ages that are dead.