All great literary men are shy. I am myself, though I am told it is hardly noticeable. I am glad it is not. It used to be extremely prominent at one … - Jerome K. Jerome

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All great literary men are shy. I am myself, though I am told it is hardly noticeable. I am glad it is not. It used to be extremely prominent at one time, and was the cause of much misery to myself and discomfort to every one about me—my lady friends especially complained most bitterly about it. A shy man's lot is not a happy one. The men dislike him, the women despise him, and he dislikes and despises himself. Use brings him no relief, and there is no cure for him except time.

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About Jerome K. Jerome

Jerome Klapka Jerome (May 2, 1859 – June 14, 1927) was an English author, best known for the humorous travelogue Three Men in a Boat.

Biography information from Wikiquote

Also Known As

Birth Name: Jerome Klapka Jerome
Alternative Names: Jerome Klapta Jerome
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Additional quotes by Jerome K. Jerome

The German citizen is a soldier, and the policeman is his officer. The policeman directs him where in the street to walk, and how fast to walk. At the end of each bridge stands a policeman to tell the German how to cross it. Were there no policeman there, he would probably sit down and wait till the river had passed by. At the railway station the policeman locks him up in the waiting-room, where he can do no harm to himself. When the proper time arrives, he fetches him out and hands him over to the guard of the train, who is only a policeman in another uniform. The guard tells him where to sit in the train, and when to get out, and sees that he does get out. In Germany you take no responsibility upon yourself whatever. Everything is done for you, and done well.

"Are we labouring at some Work too vast for us to perceive? Are our passions and desires mere whips and traces by the help of which we are driven? Any theory seems more hopeful than the thought that all our eager, fretful lives are but the turning of a useless prison crank. Looking back the little distance that our dim eyes can penetrate the past, what do we find? Civilizations, built up with infinite care, swept aside and lost. Beliefs for which men lived and died, proved to be mockeries. Greek Art crushed to the dust by Gothic bludgeons. Dreams of fraternity, drowned in blood by a Napoleon. What is left to us, but the hope that the work itself, not the result, is the real monument? Maybe, we are as children, asking, "Of what use are these lessons? What good will they ever be to us?" But there comes a day when the lad understands why he learnt grammar and geography, when even dates have a meaning for him. But this is not until he has left school, and gone out into the wider world. So, perhaps, when we are a little more grown up, we too may begin to understand the reason for our living"

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