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" "A woman has a body that is penetrated in intercourse: permeable, its corporeal solidness a lie. The discourse of male truth—literature, science, philosophy, pornography—calls that penetration violation. This it does with some consistency and some confidence. Violation is a synonym for intercourse. At the same time, the penetration is taken to be a use, not an abuse; a normal use; it is appropriate to enter her, to push into ("violate") the boundaries of her body. She is human, of course, but by a standard that does not include physical privacy.
Andrea Rita Dworkin (September 26, 1946 – April 9, 2005) was an American radical feminist and writer.
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All around us there are other women, seemingly not hurt, making small talk, acting normal, which means happy, not discontent, certainly not devastated. Girls are still being socialised not to identify with—feel empathy for—other females: she got hurt because she did x, y, z—I didn’t, so I didn’t get hurt; she’s at fault, I’m not; the punishment fits her crime; blame her, exonerate him. This continuing, culturally applauded socialisation of women not to empathize with other women is a malignant part of the culture of men, dead white ones or not. Women are perceived to be appalling failures when we are sad. Women are pathetic when we are angry. Women are ridiculous when we are militant. Women are unpleasant when we are bitter, no matter what the cause. Women are deranged when women want justice. Women are man-haters when women want accountability and respect from men. Women are trash when women let men do what men want Women are shrews or puritans when we do not.
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I have been asked, politely and not so politely, why I am myself. This is an accounting any woman will be called on to give if she asserts her will. In the home the question will be couched in a million cruelties, some subtle, some so egregious they rival the injuries of organized war. … It must be admitted that those who want me to account for myself are intrigued in hostile, voyeuristic ways, and their projections of me are not the usual run-of-the-mill rudeness or arrogance to which writers, especially women writers, become accustomed. The work would be enough, even for the unfortunate sad sacks mentioned above. So here's the deal as I see it: I am ambitious—God knows, not for money; in most respects but not all I am honorable; and I wear overalls: kill the bitch. But the bitch is not yet ready to die. Brava, she says, alone in a small room.