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" "I am quite bored nowadays. I don't know if it's age and the fact that I have seen so many things and am less surprised, or whether the problem is truly the content. But things have been repeating themselves for 30-40 years already. It seems to me that there is no desire to push the envelope or even to peek there. People are afraid. In the 1960s and 1970s we pushed the limits farther. More attention was paid to what was going on around. Television and the media are everywhere and they are taking over so powerfully. They don't shut up for a second. So you are unable to think. It is very difficult to think independently when you are surrounded by all that noise. What I most aspire to is to be alone. Not lonely, but alone. To stop all this noise. That is what I do when I go to Umbria. There is no television there, no telephone. The situation is especially serious with television. The money is dispersed among hundreds of stations so that no money is left for good things. In our time there was far greater depth. Not everything is artificial and as cheap as possible. Everyone gossips on television; it's all so trivial and it's impossible to hear anything.
Terrence Vance "Terry" Gilliam (pronounced /ˈɡɪliəm/) (born 22 November 1940) is an American-born British writer, filmmaker, animator, actor and member of the Monty Python comedy troupe.
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I’ve always liked gossip, gossip is fun, but whether you believe it or not is something else, and yet the web seems to want to believe. The web doesn’t distinguish between what’s playful and serious. And the speed! What is happening in the web, and all the tweeters tweeting, they become neurons. They are the neurons of the global village. Village is the right word because the village is where the gossip is taking place, it doesn’t take place in the cities. A piece of information comes into that little neuron – whoop – and they’ve immediately got to pass it across the synaptic gap…
Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it — I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying "That's the world." And it's not the world. The world is a million possible things.
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There comes a part where the money and the creative elements all come crashing together. Everybody's under a lot of pressure, and everybody is panicking about what works and what doesn't. And the studios and the money always have one perspective and the creative people have another one, and usually what happens is a lot of compromises get made. I decided not to. I walked off and did Tideland and came back six months later.