The grill, the barbecue is... a cross-ventilated chimney so... chefs can stand... as cold as possible with the fire... - Bjarke Ingels

[E]scalating in scale and impact, one project is... for a new baseball stadium for the Oakland A's. ...[S]tadia ...these ...massive venues in a giant sea of parking that are only active a few days a year, baseball more than any other sport, roughly a hundred in a year... {W]e thought what if this new stadium could... be... the cultural foundation for the city? What if we could bring the ball park back into the park? ...[B]aseball started in parks and... at some point a guy got the idea to build a fence around the park and charge [for] tickets. So we thought, what if we could... bring the park back, so instead of this... enclosed stadium, what if the main concourse was... Main Street? ...[B]ecause baseball is an asymmetrical sport with the outfield, what if the entire stadium could open up to the city and the water and the views? ...[I]magine as the roof dips down it... becomes... Oakland equivalent of the , a public park that is part of the experience of the game, but 250 days of the year it's... a park for the citizens... [I]magine that 365 days a year this is part of the enjoyable space of this new neighborhood. ...[N]ormally the seats that are the furthest away from the game would be the lousiest. Her they have this amazing experience of... being a part of the park... so... that a hundred days a year they shut down access to the park, like if you have a concert in Central Park, and it becomes part of the spectator experience. All the restaurants and cafes open up to the park. ...[T]he other days they open up to the park so you can... have a coffee... So you have this... connection from the inside to the out. Above... the running track on game day is part of the circulation, and on a non-game day it's part of the experience of living in Oakland. The same for the pinic lawn... [T[he stadium doesn't become this... massive... empty white elephant, a kind of void in the city, it... becomes a... bringer of life and energy into a new neighborhood... [B]ecause of the... asymmetry in extreme you have this... incredible view out over the port towards San Francisco... For the facade we wanted to spend as little money for the enclosure as possible... [W]e need to provide some shelter from the wind, so we came up with this idea of this... louvered structure... facing the predominant direction of the wind... {W]here we have the concessions... the circulation, we need to provide wind protection so it... becomes this series of scarfs wrapped around the building... providing only the necessary protection... [E]ven if you were only trying to make this... skeletal non-building it ends up having... elegant expression. ...[W]hen you arrive, you... walk over the edge of the stadium and onto the arms of the field. To provide access and... minimize... parking, because it's part of an urban neighborhood, we can share the parking. But also we have the BART... only... a mile away, but you have to cross a 12 lane highway, and a freight train, so the simplest way of connecting is by putting a single mast... We can put a gondola that takes you straight from the BART, across both highway and train tracks, lands you on , and... you walk... across the perimeter park and into the game.

René... was not only going to be regionalistic. It was also going to be seasonal, so... New Year to April, everything from the sea, because everything else is dead... so... seaweed and seafood and anything that can be fermented or pickled. May to September, vegetable season... the October to January, game and forest, so... venison, berries and roots. ...His idea is ...rediscovering traditional Nordic elements. ...[T]he context ...this ...self-built hippie commune in the old Navy yards. This is... what... traditional Nordic villages look like... Even though Scandinavians like to dress in black they like to paint their houses in bright colors... [W]here the southern Europeans push them together to create urbanity, in the Arctics, in the Nordics, they're... spread apart... [O]ur... inspiration came from this... typical Nordic farm... an accumulation of individual houses, each... built for its own purpose... for the main family, for the children as the family and the generations grow... for the potatoes, for the animals, for the workshop...

This is an art museum we designed in Norway, in a sculpture park... on two sides of a river, and we suggested that the museum could be the bridge... from one side... to the other. ...As the building crosses the river ...it zips closed the daylight. ...[I]t's made out of standard extruded aluminum profiles ...to make warehouses... A lot of identical elements put together in a carefully orchestrated way. Inside it is... white painted 2x4 timber... and again, by gently shifting the orientation... by leaving half of them open, we have all of the... ventilation for state of the art... climate control, all the lighting... It's... creating something extraordinary out of a lot of ordinary. ...[A] museum that is also a bridge that is also a sculpture, in a sculpture park.