The evolution of the brain not only overshot the needs of prehistoric man, it is the only example of evolution providing a species with an organ whic… - Arthur Koestler

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The evolution of the brain not only overshot the needs of prehistoric man, it is the only example of evolution providing a species with an organ which it does not know how to use.

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About Arthur Koestler

Arthur Koestler CBE (UK: /ˈkɜːstlər/, US: /ˈkɛst-/; German: [ˈkœstlɐ]; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest, and apart from his early school years, was educated in Austria. In 1931, Koestler joined the Communist Party of Germany, but he resigned in 1938 after becoming disillusioned with Stalinism. Having moved to Britain in 1940, he published his novel Darkness at Noon, an anti-totalitarian work that gained him international fame. Over the next 43 years, Koestler espoused many political causes and wrote novels, memoirs, biographies, and numerous essays. In 1949, Koestler began secretly working with a British Cold War anti-communist propaganda department known as the Information Research Department (IRD), which would republish and distribute many of his works, and also fund his activities. In 1968, he was awarded the Sonning Prize "for [his] outstanding contribution to European culture". In 1972, he was made a Commander of the Order of the British Empire (CBE). In 1976, he was diagnosed with Parkinson's disease and in 1979 with terminal leukaemia. On 1 March 1983, Koestler and his wife Cynthia died of suicide together at their London home by swallowing lethal quantities of barbiturate-based Tuinal capsules.

Also Known As

Native Name: Kösztler Artúr

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Indeed, the ideal for a well-functioning democratic state is like the ideal for a gentleman's well-cut suit — it is not noticed. For the common people of Britain, Gestapo and concentration camps have approximately the same degree of reality as the monster of Loch Ness. Atrocity propaganda is helpless against this healthy lack of imagination.

Without the hard little bits of marble which are called 'facts' or 'data' one cannot compose a mosaic; what matters, however, are not so much the individual bits, but the successive patterns into which you arrange them, then break them up and rearrange them.

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