The poor Negro always remembered himself as an ex-slave and used this as the basis of any dealings with the mainstream of American society. The middl… - Amiri Baraka

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The poor Negro always remembered himself as an ex-slave and used this as the basis of any dealings with the mainstream of American society. The middle class black man bases his whole existence on the hopeless hypothesis that no one is supposed to remember that for almost three hundred years there was slavery in America, that the white man was a master, the black man a slave. This knowledge, however, is at the root of the legitimate black culture of this country. It is this knowledge, with its attendant muses of self-division, self-hatred, stoicism, and finally quixotic optimism, that informs the most meaningful of Afro-American music.

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About Amiri Baraka

Amiri Baraka (October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, was an African-American writer of poetry, drama, fiction, essays and music criticism.

Also Known As

Birth Name: Everett LeRoi Jones
Alternative Names: Imamu Amear Baraka LeRoi Jones Everett Leroy Jones Imamu Amiri Baraka Imamu Baraka
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Additional quotes by Amiri Baraka

The Black Artist's role in America is to aid in the destruction of America as he knows it. His role is to report and reflect so precisely the nature of the society, and of himself, in that society, that other men will be moved by the exactness of his rendering, and if they are black men, grow strong through this moving, having seen their own strength, and weakness, and if they are white men, tremble, curse, and go mad, because they will be drenched with the filth of their evil.

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