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Let me tell you how I see Africa through my eyes. I see a continent rich in culture, diversity, and creativity, where communities are resilient, innovative, and deeply connected to their roots. I see young people driving change, entrepreneurs building solutions to local challenges, and a wealth of natural beauty that is second to none.
Now all the world is wonderful, but surely among its countries there is none more so than Africa; no, not even China the unchanging, or India the ancient. For this reason, I think: those great lands have always been more or less known to their own inhabitants, whereas Africa, as a whole, from the beginning was and still remains unknown.
Africa's a continent that's known for its resources, you know. It's very rich in terms of any kind of resource that you can get out of the ground that has value. You're going to find it in abundance somewhere on that continent, whether it's oil, whether it's rubber, whether it's gems or precious metals. It led to colonization and exploitation. It led to borders being drawn, not by the people who are from there, you know. And it led to the mental horrors of colonization, which comes with being told that you're less than, and not worthy of, and losing your language — losing your heritage, and the cousin of colonization, which is a very scary relative of it, is the theft of bodies, is what happened to my ancestors.
A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz. Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril.
Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book. The continent is full of deserts, jungles, highlands, savannahs and many other things, but your reader doesn’t care about all that, so keep your descriptions romantic and evocative and unparticular.
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