Chinua Achebe Quotes

...she was sensitive enough and intelligent enough to understand, and her literary education could not but have sharpened her perception of the evidence before her eyes: that in the absurd raffle-draw that apportioned the destinies of post-colonial African societies two people starting off even as identical twins in the morning might quiet easily find themselves in the evening one as President shitting on the heads of the people and the other a nightman carrying the people's shit in buckets on his head.

In the many years in which he had toiled to bring civilization to different parts of Africa he had learned a number of things. One of them was that a District Commissioner must never attend to such undignified details as cutting a hanged man from a tree. Such attention would give the natives a poor opinion of him. In the book which he planned to write he would stress that point. As he walked back to the court he thought about that book. Every day brought him some new material. The story of the man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger.

"Mosquito [...] had asked Ear to marry him, whereupon Ear fell on the floor in uncontrollable laughter. "How much longer do you think you will live?" she asked. "You are already a skeleton." Mosquito went away humiliated, and any time he passed her way he told Ear that he was still alive."

The fly that no one to advise it follows the corpse into the grave.

My father used to say that it is the fear of causing offense that makes men swallow poison.

It always surprised him, he went on to say, because he never had thought of Africa as having that kind of stuff, you know.

I believe in the complexity of the human story and that there’s no way you can tell that story in one way and say, This is it. Always there will be someone who can tell it differently depending on where they are standing; the same person telling the story will tell it differently. I think of that masquerade in Igbo festivals that dances in the public arena. The Igbo people say, If you want to see it well, you must not stand in one place. The masquerade is moving through this big arena. Dancing. If you’re rooted to a spot, you miss a lot of the grace. So you keep moving, and this is the way I think the world’s stories should be told — from many different perspectives.

Let no one be fooled by the fact that we may write in English, for we intend to do unheard of things with it.

War is war. The strong will always crush the weak. The only difference is that in the process some have made a lot of money and others a lot of misery.

If ever a man deserved his success, that man was Okonkwo. At an early age he had achieved fame as the greatest wrestler in all the land. That was not luck. At the most one could say that his chi or personal god was good. But the Ibo people have a proverb that when a man say yes his chi says yes also. Okonkwo said yes very strongly; so his chi agreed. And not only his chi but his clan too, because it judged a man by the work of his hands.

The man was a complete nonentity until we crowned him, and now he carries on as though he had been nothing else all his life. It’s the same with Court Clerks and even messengers. They all manage to turn themselves into little tyrants over their own people. It seems to be a trait in the character of the negro

A man to whom you do a favor will not understand if you say nothing, make no noise, just walk away. You may cause more trouble by refusing a bribe than by accepting it.

If you don't like my story,write your own

When a man is at peace with his gods and ancestors, his harvest will be good or bad according to the strength of his arm.

A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz.

Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? But that is not even the point. The real question is the dehumanization of Africa and Africans which this age-long attitude has fostered and continues to foster in the world. And the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art.